![]() ![]() The average issue of TERROR TALES sported half a dozen or more Market where speed and reliability were prime assets. Like John Howitt, Sewell was a first-rate illustrator who was able to turn out work quickly for the demanding pulp TERROR TALES (cover by John Newton Howitt)įor several years all black-and-white interiors for the big three horror pulps were handled by artist Amos HORROR STORIES (cover by John Newton Howitt) He later destroyed all his pulp paintings. In devising such tableaus of torture and depravity. A gentle soul by nature, Howitt was reportedly embarrassed by his own skill and ingenuity His mad masterpieces of cover art not only emblazoned scenes from authors' stories but were often feveredĬreations of his own imagination. Painter John Newton Howitt that defined the look of the shudder pulps and enticed new readers to their unique Illustrators as Rudolph Zirm, Tom Lovell and Walter Baumhoffer, it was the work of ex-landscape ![]() While Popular Publications' three horror 'zines used the talents of such top-flight ![]() On the crowded and fiercely competitive newsstands of the 1930s, it was the covers that helped magazines Thomas Harris: HWA Lifetime Achievement Winner ![]() World Horror Convention 2007: Pulp Horrors by Don Hutchison ![]()
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